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    <loc>https://www.chloenaomi.org/management/project-three-dmzr4</loc>
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    <lastmod>2022-06-27</lastmod>
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      <image:title>Management - Arts Management - Auditor of DramSoc.</image:title>
      <image:caption>I acted as the Auditor of University of Galway’s DramSoc from 2022-2023. During my time as auditor, the society hosted 104 events, produced 20 productions and had 3000 members. During my time on committee, I introduced a new festival entitled the Work In Progress Festival. The festival was dedicated to facilitating emerging playwrights and the development of original writing through workshops, social events and a staged reading showcase. We also organized a Theatre Week Festival where we held 10 events and showcased 5 original one acts. I also assisted the society in winning Best Promotional Campaign for Mr Burns (A Post Electric Play) as well as Best Society at the University of Galway 2023 Society Awards. The society also won seven different Irish Society Drama Awards at the 2023 ISDA Festival.</image:caption>
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      <image:title>Management - Arts Management - DramSoc Committee.</image:title>
      <image:caption>In 2020 I joined the University of Galway’s DramSoc Committee as the New Member’s Representative. With this role, I directed the Fresher’s Showcase entitled Monologues Amongst Mayhem and assisted new members in feeling comfortable and confident within the society. In 2021, I was re-elected onto the committee as the Inclusivity Officer. With this role, I organized consent training for every production, introduced Black History Week social media posts and improved the societies use of content warnings and accessibility seating within productions.</image:caption>
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      <image:title>Management - Arts Management - Trapdoor Theatre Company.</image:title>
      <image:caption>I joined Trapdoor Theatre Company (based in Baltimore, Maryland) in 2017 as a company member. I performed in two of their main shows (The Shape of Things as Jenny and The Library as Detective Washburn). In 2018 I was elected the Artistic Director of Trapdoor Theatre Company. With this position, I ran the company from 2018-2019 and directed She Kills Monsters. I also assisted in organizing the annual Trapdoor Gala which hosted over 100 people and provided full catering, entertainment and a company raffle.</image:caption>
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    <loc>https://www.chloenaomi.org/management/project-two-pn775</loc>
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    <lastmod>2022-06-12</lastmod>
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      <image:title>Management - Event Management - Fundraisers</image:title>
      <image:caption>I love to organize fundraiser events that not only raise funds but also bring people together to celebrate local art. I’ve organized concerts in some of Galway’s most beloved music venues and comedy nights in beer gardens. Get in touch if you’d like to have a fundraiser organized for your production, arts organization or charity!</image:caption>
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      <image:title>Management - Event Management - Festival Events</image:title>
      <image:caption>I’ve organized several festival events including workshops, social gatherings and charity fundraisers. I’ve worked primarily with the 2022 ISDA Festival Committee as their Events Coordinator. With ISDA, I organized a festival launch, opening night party, children’s theatre workshop, clowning workshop, make your own puppet workshop, movement choreography workshop, playwriting workshop, sustainability in theatre workshop, a table quiz and the 2022 ISDA ball.</image:caption>
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    <loc>https://www.chloenaomi.org/management/project-one-lpc8w</loc>
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    <lastmod>2022-06-12</lastmod>
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      <image:title>Management - Stage Management</image:title>
      <image:caption>Photographer: Emilija Jefremova</image:caption>
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      <image:title>Management - Stage Management - Druid Theatre Company.</image:title>
      <image:caption>I was selected for the 2022 Druid Internship as apart of the University of Galway and Druid partnership. During my time in Druid, I joined the stage management team for Druid’s production of The Cavalcaders (2022) and The Last Return (2022). With this fantastic opportunity, I gained weeks of stage management experience on a professional level and assisted both productions with props and set pieces. Photographer: Emilija Jefremova</image:caption>
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      <image:title>Management - Stage Management - Active Consent.</image:title>
      <image:caption>I joined the Active Consent team in 2021 as an intern. I acted as the co-director, stage manager, sound designer and member of the devising team for their theatrical film, Consent Is. Recently, I have returned as the assistant director, stage manager and technician for the 2024 tour of 'How I Learned About Consent'.</image:caption>
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    <loc>https://www.chloenaomi.org/work/the-ruse-2ly9x</loc>
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    <lastmod>2025-07-25</lastmod>
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      <image:title>Directing - The Monster In The Hall</image:title>
      <image:caption>Photographer: Kiara Toal</image:caption>
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      <image:title>Directing - The Monster In The Hall - SYNOPSIS:</image:title>
      <image:caption>Duck Macatarsney cares for her biker dad, Duke, whose MS is getting worse. Duke is a spliff-smoking (for medicinal reasons you understand), bike-riding, heavy-metal- and horror-movie-loving, pizza-eating widower who has brought up Duck since the death of her mum in a crash. The two of them are just about surviving when one morning the Duke wakes up blind and the Duck hears Social Services are coming to take her away. The Monster in the Hall follows Duck as she tries to protect her world from the terrifying prospect of change. LOCATION: The Bank of Ireland Theatre, Galway. DATES: January 28th-31st 2020. WRITTEN BY: David Greig DIRECTED BY: Chloe Naomi PRODUCED BY: University of Galway, DramSoc</image:caption>
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      <image:title>Directing - The Monster In The Hall - CREDITS</image:title>
      <image:caption>CAST Duck: Saorla Fenton Duke: Luke Power Lawrence/Ensemble Member A: Eoin Mac An Chrosain Agnetha/Ensemble Member B: Ailish McDonagh Teacher/Ensemble Member C: Emily Aherne Mrs.Underhill/Ensemble Member D: Muireann Doheny CREW Director: Chloe Naomi Stage Manager: Kiara Toal Lighting Designer: Dylan Maguire Props: James Boylan &amp; Lucy Birmingham Sound Designer: Chloe Naomi &amp; Aisling Hanrahan Set Design: Chloe Naomi Set Construction: Mark O’Connor Costume Designer: Ciara Leahy Makeup Artist: Dearbhla Melia</image:caption>
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      <image:title>Directing - Finding Sympathy</image:title>
      <image:caption>Photographer: Ben Kirwan</image:caption>
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      <image:title>Directing - The Apocalypse Comes at 6pm</image:title>
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      <image:title>Directing - The Apocalypse Comes at 6pm</image:title>
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      <image:title>Directing - The Apocalypse Comes at 6pm</image:title>
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      <image:title>Directing - The Apocalypse Comes at 6pm</image:title>
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      <image:title>Directing - The Apocalypse Comes at 6pm</image:title>
      <image:caption>Photographer: Ben Kirwan</image:caption>
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      <image:title>Directing - The Apocalypse Comes at 6pm - Make it stand out</image:title>
      <image:caption>Poster Design: Harriet Yakub</image:caption>
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      <image:title>Directing - The Apocalypse Comes at 6pm - CREDITS</image:title>
      <image:caption>CAST The Accordionist/Narrator: Niamh Mullarkey Him:Matty Loane Her: Emily Aherne The Old Man: Emily White The Old Woman: Ciara Leahy The Watched One/The Sandman: Noella Ngilinshuti Ntambara Friend #1/The Young Man: Seán Egan Friend #2/The Story Collector: Danny O’Grady Tina: Amélie Clonan CREW Stage Manager: Rebecca Moore Lighting Designer: Conor McLaughlin Lighting Operator: Saorla Fenton Sound Designer: Chloe Naomi Sound Operator: Mark O’Connor Set Designer: Chloe Naomi Set/Props Construction: Rebecca Moore, Mark O’Connor &amp; Sneed Ryan Costume Designer: Paris Ediagbonya Costume Assistant: Kim Morrison Photographer/Videographer: Ben Kirwan Projection Designer/Operator: Chloe Naomi Poster Design: Harriet Yakub Marketing: Chloe Naomi</image:caption>
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      <image:title>Directing - The Apocalypse Comes at 6pm - Director’s Note.</image:title>
      <image:caption>Although the world Georgi Gospodinov creates can be a bit bizarre and strange at times; I actually found it to be very familiar. After recently needing to quarantine over the past year and a half, I think we all can relate to the anxiety and social separation presented in the play. Many of the characters feel unnoticeable and lonely and this can lead to acts of violence, paranoia, and a dependency on media. I believe this play shows us what our society could become if we don’t learn how to connect and care for one another without fear. One of the ways Georgi shows us how to accomplish this is through accessing our inner child. Children do not hesitate to observe, love and dream. This is what we need to avoid the apocalypse. As a community, we need to learn how to escape our anxieties and individualistic tendencies by remembering what we are here for; to learn, share and grow as a community. My advice for you; is to carry this mentality with you when watching the show. Rather than trying to make sense of the plot, symbols and characters; simply try to connect with them. Then, you can go home and try to make sense of all the beautiful complexities within this play. But for now, just try to connect.</image:caption>
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