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    <loc>https://www.chloenaomi.org/work/the-ruse-2ly9x</loc>
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      <image:title>Directing - The Monster In The Hall</image:title>
      <image:caption>Photographer: Kiara Toal</image:caption>
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      <image:title>Directing - The Monster In The Hall - SYNOPSIS:</image:title>
      <image:caption>Duck Macatarsney cares for her biker dad, Duke, whose MS is getting worse. Duke is a spliff-smoking (for medicinal reasons you understand), bike-riding, heavy-metal- and horror-movie-loving, pizza-eating widower who has brought up Duck since the death of her mum in a crash. The two of them are just about surviving when one morning the Duke wakes up blind and the Duck hears Social Services are coming to take her away. The Monster in the Hall follows Duck as she tries to protect her world from the terrifying prospect of change. LOCATION: The Bank of Ireland Theatre, Galway. DATES: January 28th-31st 2020. WRITTEN BY: David Greig DIRECTED BY: Chloe Naomi PRODUCED BY: University of Galway, DramSoc</image:caption>
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      <image:title>Directing - The Monster In The Hall - CREDITS</image:title>
      <image:caption>CAST Duck: Saorla Fenton Duke: Luke Power Lawrence/Ensemble Member A: Eoin Mac An Chrosain Agnetha/Ensemble Member B: Ailish McDonagh Teacher/Ensemble Member C: Emily Aherne Mrs.Underhill/Ensemble Member D: Muireann Doheny CREW Director: Chloe Naomi Stage Manager: Kiara Toal Lighting Designer: Dylan Maguire Props: James Boylan &amp; Lucy Birmingham Sound Designer: Chloe Naomi &amp; Aisling Hanrahan Set Design: Chloe Naomi Set Construction: Mark O’Connor Costume Designer: Ciara Leahy Makeup Artist: Dearbhla Melia</image:caption>
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      <image:caption>Photographer: Ben Kirwan</image:caption>
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      <image:title>Directing - The Apocalypse Comes at 6pm</image:title>
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      <image:title>Directing - The Apocalypse Comes at 6pm</image:title>
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      <image:title>Directing - The Apocalypse Comes at 6pm</image:title>
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      <image:title>Directing - The Apocalypse Comes at 6pm</image:title>
      <image:caption>Photographer: Ben Kirwan</image:caption>
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      <image:title>Directing - The Apocalypse Comes at 6pm - Make it stand out</image:title>
      <image:caption>Poster Design: Harriet Yakub</image:caption>
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      <image:title>Directing - The Apocalypse Comes at 6pm - CREDITS</image:title>
      <image:caption>CAST The Accordionist/Narrator: Niamh Mullarkey Him:Matty Loane Her: Emily Aherne The Old Man: Emily White The Old Woman: Ciara Leahy The Watched One/The Sandman: Noella Ngilinshuti Ntambara Friend #1/The Young Man: Seán Egan Friend #2/The Story Collector: Danny O’Grady Tina: Amélie Clonan CREW Stage Manager: Rebecca Moore Lighting Designer: Conor McLaughlin Lighting Operator: Saorla Fenton Sound Designer: Chloe Naomi Sound Operator: Mark O’Connor Set Designer: Chloe Naomi Set/Props Construction: Rebecca Moore, Mark O’Connor &amp; Sneed Ryan Costume Designer: Paris Ediagbonya Costume Assistant: Kim Morrison Photographer/Videographer: Ben Kirwan Projection Designer/Operator: Chloe Naomi Poster Design: Harriet Yakub Marketing: Chloe Naomi</image:caption>
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      <image:title>Directing - The Apocalypse Comes at 6pm - Director’s Note.</image:title>
      <image:caption>Although the world Georgi Gospodinov creates can be a bit bizarre and strange at times; I actually found it to be very familiar. After recently needing to quarantine over the past year and a half, I think we all can relate to the anxiety and social separation presented in the play. Many of the characters feel unnoticeable and lonely and this can lead to acts of violence, paranoia, and a dependency on media. I believe this play shows us what our society could become if we don’t learn how to connect and care for one another without fear. One of the ways Georgi shows us how to accomplish this is through accessing our inner child. Children do not hesitate to observe, love and dream. This is what we need to avoid the apocalypse. As a community, we need to learn how to escape our anxieties and individualistic tendencies by remembering what we are here for; to learn, share and grow as a community. My advice for you; is to carry this mentality with you when watching the show. Rather than trying to make sense of the plot, symbols and characters; simply try to connect with them. Then, you can go home and try to make sense of all the beautiful complexities within this play. But for now, just try to connect.</image:caption>
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